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Sabine Cibert ● Contemporary Textile Art

Emergence

“…The use of textiles provides an endless choice of colours, while the weaves offer a wide variety of patterns. Pixellated images are thus formed, as if diffracted, an echo that spreads and rebounds in all directions…”

Thomas Leveugle
art historian, curator

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Textile in movement and variation from piano to mezzo forte

“… Likewise, textile art is the culmination of a form using fabrics, each with their own texture, colour and dimension, assembled to last, requiring a tried-and-tested strategy, method, and lots of time. Time that both gives free rein to the imagination and brings the desired form to material fruition, a great challenge requiring all-essential, deliberate slowness …”

Françoise Chabert
philosopher and anthropologist

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A world of rhythmic forms

“…I can feel the artist’s tireless desire to search for, experience and make the viewer feel the origin of forms and their pulsating rhythms…”

Chantal Danjou
poet, novelist and essayist

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The skin of the world

“…Sabine Cibert’s work is the wave roller which, from time immemorial, on the world’s shores has been creating and re-creating the environment and has been monopolizing the nature material…”

Stéphane Salord
co-founder and co-leader of ESDAC
Ecole Supérieure de Design d’Art et de Communication d’Aix-en-Provence

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Looking beyond the squares

“Neither warp, nor weft

Whispering colours

Horizons and waves

interweave …”

Françoise Chabert

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The partitions textiles

“…First, share: share the three influences which support Sabine Cibert’s artistic style : Ancient quilts, traditional popular textile art, Second, the Bauhaus artists Third: The mosaics of the Alhambra in Granada…”

Marc Le Person
professor
Université Jean Moulin Lyon 3

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